Troubleshooting

The knob drives one output at a time. Press the button for the output you are listening to.

Holding the lit output button disables it. Hold again to unlock.

Every Clone is mono and sums anything stereo in front of it. Move stereo effects after the clone.

Song tracks live on the card under the security panel. It ships fitted — if it has been removed, Showcase has nowhere to read from.

Press MODE for your two main modes; hold it for all of them, including Combo and Transport.

Hold FS1 + FS7 to cycle it back to bank or preset.

Blocks turn bright red when they clip. Find the red one — that colour is the whole metering system.

Each INSTRUMENT input has a switchable pad, impedance and gate before any block.

Four amps or preamps per preset, two per path. Four clones, two per path. Eight cabs, four per path. Two poly effects per path.

Two of either on one path plus effects will exhaust it — but the other path is still empty.

USB A is a host port for an Ethernet adapter. The computer goes in USB C.

Global Settings > Preferences > Snapshot Edits decides this. Recall (the default) keeps your changes as you left them. Discard returns the snapshot to its last-saved state — which is the behaviour you want live, and the behaviour that eats your work while you are building. Hold BYPASS and press SAVE to flip it at any time; the camera icon on the Home screen is grey for Recall and red for Discard.

That is exactly what an unedited snapshot does — it carries the state you arrived with. It only becomes its own thing the moment you change something in it. Nothing is broken; you have simply not written it yet.

Saving a preset stores all of its snapshots and remembers which one you were on. If a song should always start on the intro sound, select that snapshot and then save — the choice is made at save time, not at load time.

Set Global Settings > Footswitches > Snapshot Mode Switches to Manual Return and it stays in snapshot mode until you press CANCEL. Auto Return is right when snapshots are an occasional visit; Manual Return is right when they are how you play the set.

Trails Off mutes repeats and decays the moment the block is bypassed. Trails On lets them ring out naturally, through a bypass and through a snapshot change. It is set per block, so one delay left wrong is enough to make a whole rig feel abrupt.

Never connect these XLR outputs to a device whose XLR inputs have 48V phantom power enabled. On a desk, that means switching phantom off for those channels before you plug in, not after.