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Reference
Reference

Tone recipes

Starting points by tone target, using this device's actual capture names, cabinets and slot rules. Every step is labelled with where it came from.

Watch out

Two of these recipes are genuinely community-verified: the high-gain PV 505Sig into 412 CA Stand OS pairing, and the clean VCA Comp plus Mind Hall combination. Everything else is general amp-modelling knowledge applied to this device's actual block names and slot rules, and every step is tagged so you can tell which is which. We're publishing them because the alternative — the page currently ranking first for “Nano Cortex settings” — invents features the device doesn't have. An honest starting point beats a confident fiction.

Our reading
Forum: rock captures · Forum: lush clean presets
Before any recipe

Six mechanics that make this device different

Recipes for a capture player read differently to recipes for a modeller. These are why.

Tone target

9 recipes

Sparkling clean

CleanCommunity-verified

Bell-like, headroom for days, no hair on the note.

Start from
  • US Prince 65
  • US HRDLX ChA
  • Watt Custom Clean
Cab

212 US TWN C12Q 00s or 110 US PRN C10R

Steps
  1. CaptureNano Cortex

    Pick a clean capture, then bring GAIN down further than feels necessary.

    Community-verified: reducing GAIN cleans up most captures materially, and clean tones expose any grit immediately.

  2. Pre-FX 1Nano Cortex

    VCA Comp (M).

    The specific compressor the clean-tones thread recommends for this.

  3. IR LoaderNano Cortex

    Move the microphone off-axis and back a position from the default.

    The default 90°-on-cone position is the brightest and most aggressive. Backing off kills ice-pick without needing to dump treble.

  4. IR LoaderGeneral

    High-cut around 8–10 kHz, low-cut 50–80 Hz.

    The universal modelling fix for digital fizz, and it tightens the bottom without EQ boosts.

  5. Post-FX 3Nano Cortex

    Room or Hall at a low mix.

    A close-mic'd cab has no room in front of it. Even a little reverb replaces what the microphone didn't capture.

What gets in the way
  • Level-match here first. Clean tones expose volume mismatches between presets more than anything else.
Forum: lush clean presets · Nano Cortex User Manual 2.2.0

Warm jazz clean

CleanOur starting point

Round, dark, woody. Nothing above 6 kHz needed.

Start from
  • NoMatch Chief
  • Comet 60
Cab

212 Match D30 Sig A, microphone further back and off-axis

Steps
  1. CaptureNano Cortex

    A low-gain class-A style capture with GAIN near minimum.

  2. Pre-FX 1Nano Cortex

    Opto Comp (M).

    Optical compression rounds the attack, which is most of the jazz feel.

  3. IR LoaderGeneral

    Roll high-cut down to around 5–6 kHz.

    Jazz tone is defined more by what's removed above the fundamental than by anything added.

  4. Tone stackGeneral

    Cut upper-mid presence rather than boosting bass.

    Boosting bass muddies; cutting presence darkens without losing definition.

  5. Post-FX 3Nano Cortex

    Room at a low mix.

What gets in the way
  • There is no Nano-specific jazz thread in the community — this is general knowledge applied to the device's blocks, and it's labelled that way.
Forum: lush clean presets · Nano Cortex User Manual 2.2.0

Edge of breakup

Edge of breakupOur starting point

Clean when you're gentle, growling when you dig in.

Start from
  • Comet 60
  • NoMatch Chief
  • US HRDLX ChA
Cab

112 UK C15 Blue or 212 Match D30 Sig A

Steps
  1. CaptureNano Cortex

    Choose a capture that is already at the edge. Do not try to get there from a clean one.

    This is the single most important device-specific point in any recipe here. A capture is frozen at one setting, so a capture taken clean cannot break up like the real amp — the dynamic transition simply isn't in the snapshot.

  2. GAINNano Cortex

    Use GAIN to move around that edge rather than to create it.

  3. Pre-FX 1Nano Cortex

    Green 808 with drive low and level high, or Exotic Z Boost as a clean boost.

    Pushes the capture harder without adding its own distortion character.

  4. PlayingGeneral

    Guitar volume at 7–8, and ride it.

    Edge of breakup is mostly a playing technique. Roughly 70% of it is your hands and your volume knob.

Nano Cortex FAQ · Forum: lush clean presets

Classic rock crunch

CrunchOur starting point

Mid-forward, chunky, hits like a wall of Marshall.

Start from
  • Brit 2555 Rhy
  • Brit 2555 Lead
  • Bogna X100B Ch1
Cab

412 Brit TV GB75Hz '69 or 412 CA Trad S UKV30 90s

Steps
  1. CaptureNano Cortex

    A Silver Jubilee or Ecstasy channel-1 style capture.

    The community hunts Silver Jubilee captures specifically for AC/DC and Guns N' Roses territory.

  2. Pre-FX 1Nano Cortex

    Chief BD2 or Obsessive Drive for extra push.

    Worth noting this was impossible before NanOS 2.0.0 — there were no drive devices at all.

  3. Tone stackGeneral

    Mids up, not down.

    Scooped mids are for metal. Classic rock crunch lives in the 500 Hz–1 kHz region.

  4. Post-FX 3Nano Cortex

    Room, low mix. Keep it dry.

Forum: rock captures · Nano Cortex device list

Modern high gain

High gainCommunity-verified

Tight, percussive, scooped. Djent-adjacent.

Start from
  • PV 505Sig
  • D-Cell H4 Ch3
  • ENG Energy
Cab

412 CA Stand OS A V30 '01

Steps
  1. Capture + cabNano Cortex

    PV 505Sig into 412 CA Stand OS A V30 '01.

    This exact pairing is a verbatim community recommendation from the metal thread — one of only two genuinely verified recipes for this device.

  2. Pre-FX 1Nano Cortex

    Green 808 with drive at zero, tone up, level up.

    Classic Tube-Screamer-as-filter rather than as distortion. It tightens the low end and adds attack without adding gain.

  3. Input GateNano Cortex

    Use the fixed Input Gate, set on AMOUNT in the Capture Volume view.

    Added in NanOS 2.0.0 specifically as a permanent gate ahead of everything.

  4. IR LoaderGeneral

    High-cut 8–10 kHz aggressively, low-cut 80–100 Hz.

    High-cut kills the digital fizz that makes high gain sound cheap. Low-cut keeps palm mutes tight.

  5. GAINGeneral

    Less than you think.

What gets in the way
  • Sound On Sound notes the adaptive gate may lack the speed djent players want.
  • If you're running into an amp's FX return you have no boost in front of the capture in the usual sense — the community's advice is to pick a capture that was already boosted.
Forum: rock captures · Nano Cortex device list · Sound On Sound review

Blues lead

LeadOur starting point

Singing, vocal, enough compression to sustain.

Start from
  • US HRDLX ChA
  • Comet 60
  • Bogna Fish+290
Cab

212 US TWN C12Q 00s or 412 Brit TV GB75Hz '69

Steps
  1. CaptureNano Cortex

    Moderate-gain capture; use the three tone knobs as your quick adjustment.

  2. EQGeneral

    A mid boost around 800 Hz to 1 kHz.

    That's the band that cuts through a band mix without getting shrill.

  3. Post-FX 2Nano Cortex

    Tape Delay or Analog Delay, short time, low mix.

  4. Post-FX 3Nano Cortex

    Room.

  5. Solo boostNano Cortex

    Map capture volume to an expression pedal rather than switching preset.

    Expression changes aren't preset changes, so they avoid the ~60 ms switching gap entirely. This is the community's clearest answer to boosting on this device.

What gets in the way
  • Solo boosting is a genuine weak point here — there's no dedicated boost, so it's either an expression pedal or a duplicate preset with higher capture volume.
Forum: solo boost strategies · Nano Cortex device list

Ambient and post-rock

AmbientOur starting point

Washed out, endless, more texture than notes.

Start from
  • US Prince 65
  • Watt Custom Clean
Cab

212 US TWN C12Q 00s

Steps
  1. CaptureNano Cortex

    Clean capture, GAIN low.

  2. Post-FX 1Nano Cortex

    Dream Chorus (ST) or MX Vibes.

  3. Post-FX 2Nano Cortex

    Circular Delay or Dual Reverse Delay.

  4. Post-FX 3Nano Cortex

    Mind Hall or Cave.

    Mind Hall is the reverb the clean-tones thread singles out, and reads as a Lexicon 224.

  5. StereoNano Cortex

    Use the (ST) stereo variants if you're on headphones or FRFR.

    Guitar.com's own tip. The mono variants throw away half the point.

  6. TechniqueGeneral

    Volume swells, high-cut on the repeats, reverb pre-delay for definition.

What gets in the way
  • The post chain is locked modulation → delay → reverb, so you cannot put chorus after delay. Guitar.com calls this out by name as the remaining rigidity.
  • One delay and one reverb per preset. No dual-delay ambient stacks.
Forum: lush clean presets · Guitar.com review · Nano Cortex device list

Funk

FunkOur starting point

Snappy, glassy, percussive. All attack.

Start from
  • US Prince 65
  • US HRDLX ChA
Cab

212 US TWN C12Q 00s

Steps
  1. Pre-FX 1Nano Cortex

    Envelope Filter or Love Meat.

    Both are pre-only, so this is the one slot they can occupy.

  2. Pre-FX 2Nano Cortex

    Solid State Comp (M) or VCA Comp (M), fast attack.

  3. IR LoaderGeneral

    A 2×12 American cab for glassiness.

  4. TechniqueGeneral

    Bridge or middle pickup, minimal reverb, GAIN low.

Nano Cortex device list · Forum: lush clean presets

Clean bass DI

BassOur starting point

Full, even, ready for a mix.

Start from
  • Amped SV Classic
  • Aggi 751
Cab

810 Amped VT Aln 70s or 115 Amped Modern

Steps
  1. CaptureNano Cortex

    A clean bass amp capture, GAIN low.

  2. Pre-FX 1Nano Cortex

    Opto Comp (M) or VCA Comp (M).

  3. IR LoaderGeneral

    Low-cut around 30–40 Hz.

    Removes subsonic content that eats headroom without contributing anything audible.

  4. Pre-FX 2Nano Cortex

    Microtubes B3K for grit, blended low.

What gets in the way
  • Bass coverage for this device is thin everywhere — one first-party video, one demo, one blog post. This leans on general bass practice more than most recipes here.
Nano Cortex device list · Nano Cortex FAQ
How to read the labels
Official
From Neural DSP's manual, FAQ, guides or release notes.
Community
Reported by owners. Corroboration, not a primary spec.
Our reading
Our interpretation, not something Neural DSP states.
Unverified
We could not confirm this, or sources disagree.